In a Flemish workshop, the illuminators saved their most precious material - real gold - not for the text, but for the border around it: acanthus curling in the margin, strawberries and columbine painted at the edge of prayer.
The Ghent - Bruges masters made the margin the wildest place on the page. Everyone read the center; the makers signed their genius at the edge. This pattern is that edge, redrawn for your hand.

